BEST AMERICAN ART by Alexandra Jopp

Giverny, 1887 Willard Metcalf, a founding member of the “Ten American Painters,” worked in an Impressionist style tempered by atmospheric poetry                               By Alexandra A Jopp Willard Metcalf, a contemporary of Childe Hassam, Mary Cassatt, and John Twachtman, was a well-regarded Impressionist painterartist, teacher and illustrator who became known as a classic painter of the landscapes of his native New England. One of the “Ten American Painters” (also known as “The Ten”), a group whose members resigned from the Society of American Artists to form their own (small) association, Metcalf influenced many painters while teaching at Cooper Union and the Art Students League in New York. He achieved great fame in his lifetime, winning a Webb Prize in 1896 for his painting Gloucester Harbor (1895), being elected to membership in the American Academy of Arts and Letters, and ha...

Above the Clouds at Sunrise, 1849.        American painter, landscape specialist and leading figure of the Hudson River School By Alexandra A Jopp Frederic Edwin Church was among the most celebrated artists of the late 1850s and 1860s. As Thomas Cole’s most successful pupil, Church worked as a young man within the milieu of the Hudson River School. He was described by historian Gwendolyn Owens as “a master of the panoramic landscape,”1 and by the 1850s, according to writer Joe Sherman, he “had become a painter to watch, one who critics claimed had a ‘true feeling for art’ and who was heading toward an ‘original path.’”2 Church’s harmonies of color, light and luminosity helped to turn historical landscape into a popular art form. Hooker’s Party Coming to Hartford, 1846. Falls of the Tequendama near Bogotá, New Granada (1864) Church was born into a wealthy and prominent Connecticut family on May 4, 1826. He showed early artistic talent and, as...

A master of form, influenced by French and English patrons, Carleton Wiggins became famous for painting pastoral scenes of New England By Alexandra A. Jopp John Carleton Wiggins (more commonly known as just Carleton Wiggins) was born to Guy and Adelaide Ludlum Wiggins on March 4, 1848, in Turners (now Harriman), N। Y., west of the Hudson River. Wiggins received his early education in Middletown N.Y., and later attended public schools in Brooklyn. As a youth, he took a job at an insurance company on Wall Street, but he worked there for only two years before realizing that he had neither the courage nor the talent to devote himself to the business world. Instead, he began to study art under Johann Carmiencke, a romantic landscape painter of the Hudson River School. Under Carmiencke, Carleton turned his attention primarily to the study of landscapes. After dedicating some time to drawing at the National Academy, Wiggins followed the guidance and encouragement of his patron, Jos...

Pennsylvania Landscape. Painter of Pennsylvania landscapes and marine subjects of New Jersey By Alexandra A Jopp Influenced early in his career by the Hudson River School and Luminist preferences, Frederick DeBourg Richards specialized in landscape and maritime scene. By the middle of the 19th century, he ranked among the most accomplished artists practicing realism in the United States. Over time, his brushwork became somewhat more painterly, however he never abandoned his dedication to meticulously accurate observation. Frederick DeBourg Richards was born on June 24, 1822, in Wilmington, Del. He lived in New York in the 1840s before moving to Philadelphia in 1848, where he spent most of his remaining years with his wife and two daughters. Richards considered himself mostly self-taught as a painter, and he achieved success as a landscape artist by exhibiting his paintings at the American Art-Union, an exclusive association in New York City where the finest American ...

A Cape Ann Retreat Oil on Canvas, Circa 1929. By Alexandra A. Jopp Anthony Thieme was one of America’s most successful painters, with a long and prolific career that spanned the first half of the twentieth century. His story is a splendid illustration of the United States as the “land of opportunity.” While growing up in The Netherlands, he showed artistic leanings and a love of color. His passion, however, was not supported by his parents. They did not think art was a serious career choice, and they sent their son off to naval school. That did not last long, though, and as soon as he turned 14, Thieme enrolled in Holland’s Royal Academy of Fine Arts. Afterward, he studied for two years at the Royal Academy of Art in The Hague. Yet even after this training, Thieme still could not convince his parents to support his desire to become an artist. So, at the age of 17, he left home. After several years traveling around Europe, Thieme, barely able to make ends meet, crosse...

Stage Fort across Gloucester Harbor , 1862 Fitz Henry Lane. Painting in the English and Dutch seascape tradition, Lane became one of America’s most admired marine painters, a skillful lithographer and the founding father of ‘Luminism.’ By Alexandra A. Jopp Fitz Hugh Lane (also known as Fitz Henry Lane),   a founding figure of “Luminism,” was born Nathaniel Rogers Lane in Gloucester, Mass., on Dec. 19, 1804. A child prodigy, Lane would grow up to become one of the premier American artists of the nineteenth century, with works on display in 27 museums and the White House. His art retains a high status among collectors, and in 2004, his Manchester Harbor (1853) sold for $5.5 million at an auction in Boston. Fitz Hugh Lane (1804-1865), Brace's Rock, Eastern Point, Gloucester, c. 1864, oil on canvas, John Wilmderding Collection. This posthumous prosperity, though, is in stark contrast to Lane’s difficult childhood. His oldest brother, Steven, died in 1815, a yea...

One of the most elegant artists of the last half of the nineteenth century, Eastman Johnson became famous for his insights into American culture and his efforts to establish the Metropolitan Museum of Art By Alexandra A. Jopp In the nineteenth century, esteemed American artists were often credited with titles that tied them to Europe: Thomas Moran was the “American Turner,” John Henry Twachtman was the “American Monet,” Childe Hassam was the “American Sisley,” and Eastman Johnson was granted the appellation of the “American Rembrandt.” Though such comparisons to Old World brilliance were meant as honors, American artists often rejected them and worked to create a unique style that was detached from European models. Thus Johnson, even while working in seventeenth-century Dutch traditions, painted subjects that were distinctly American. Fiddling His Way, 1866.   The Reprimand, 1880.   This painting represents a room in an old New England home, with carved ma...