BEST AMERICAN ART by Alexandra Jopp

Charles Sheeler ,  River Rouge Plant , 1932. Oil on canvas, 20 × 24 1/8 in. (50.8 × 61.3 cm). Whitney Museum of American Art, New York American painter and photographer of industrial subjects By Alexandra A. Jopp Charles Sheeler, one of America’s leading Modernists, found formal beauty in machinery, the principal emblem of modernity Charles Sheeler, a central figure in American Realism and one of the most interesting and ambitious American artists, was known for producing compelling images of the Machine Age. During his prolific career, Sheeler employed machines, factory complexes near Detroit, New York skyscrapers, locomotive engines, power plants and barns as subjects for his pictures and used painting, drawing, and photography in his works, often in combination. Trained in Impressionist approaches to landscape themes, he experimented with painterly compositions before finding and mastering his outwardly depopulated landscape style, now often called precisionism....

Portrait  John Singleton Copley was America's foremost painter of the 18th century. He was born in Boston, the son of Richard and Mary Copley, who had recently immigrated from Ireland. The death of young Copley's father and his mother's subsequent marriage to the English-trained engraver Peter Pelham in 1748 introduced the youth to an atmosphere where prints, paintings, and artist's supplies were familiar household accessories. Copley certainly receive dome training from his stepfather. The copies of old masters remaining in the studio at one time occupied by John Smibert gave him some idea of the traditions of European painting.  Copley's earliest works, some of them copies after allegorical prints, date from 1753 and 1754; by 1755 he had established himself as a professional painter in Boston, turning out stiff but competent likeness in the manner of John Greenwood and Joseph Badger. The appearance of Joseph Blackburn in New England  in 1754 had an immedi...

Reuben Tam.View from Blackhead, 1959. Reuben Tam was born in Hawaii, educated at the University of Hawaii and at Columbia, lived in Manhattan, and had summered for many years on Monhegan island off the cost of Maine. He was the senior painting instructor at the Brooklyn Museum Art School and has shared his insights with students at such widely separated institutions as Oregon State University in Corvallis and Skowhegan in Maine. On Monhegan, his perennial rock garden (which winter storms oblige his perennially to restore each May) is the joy of the island. He was first shown in New York by Edith Gregor Halpert at her Downtown Gallery in 1945 and today his work is included in the permanent collections of almost every major museum in the United States. A painter of the eventful in nature, Tam joins in his art a profound understanding of how nature works with a poet's gift for the lyric impulse. Since he is a poet as well as a painter, two of his poems are published here for t...